Visions of the Human: Art, World War One, and the Modernist Subject (I.B. Tauris, May 2015).
'Mind-Body-Technology: Towards a Theory of Prosthetic "Trialism"' (forthcoming, 2017).
'Technology'. Philosophy of Photography (Vol. 4, Issue 2, December 2013).
'Prosthetic Memory'. Philosophy of Photography (Vol. 4, Issue 1, September 2013).
‘Sonia Delaunay’s Robe Simultanée: Modernity, Fashion and Transmediality.’ Fashion Theory: The Journal of Dress, Body, and Culture (Vol.17 No.1, March 2013).
'The catastrophe of my existence: Facing Death in Roger de la Fresnaye's Self-Portraiture.' Angelaki: Journal of Theoretical Humanities (Vol. 16 No.1, May 2011).
'Existence, Ethics and Death in Andrei Tarkovsky's cinema: the cultural philosophy of Solaris'. Film International: Journal of World Cinema (Vol. 8 No.2, June 2010).
'The Wound and the First World War: ‘Cartesian’ Surgeries to Embodied Being in Psychoanalysis, Electrification and Skin Grafting.’ Body and Society (Vol. 14 No.2, June 2008).
Photography and Cinema by David Campany and Still Moving: Between Cinema and Photography edited by Karen Beckenham and Jean Ma. (Scope, October 2010).