Visions of the Human: Art, World War One, and the Modernist Subject (I.B. Tauris, May 2015).



Book Chapters


‘X-Rays: Technological Revelation and its Cultural Receptions’ in The Edinburgh Companion to Modernism and Technology. Eds. Alex Goody and Ian Whittington (Edinburgh University Press. 2022).


'Mind-Body-Technology: Towards a Theory of Prosthetic "Trialism"' in Anatomical Theatre – Anthology. Ed. Petrine Vinje. (Norway, Oslo: Utten Tittel, 2018).



Journal Articles


'The Zone of Photography: Magic, Ghosts and Haecceity' in (Modern) Photography: The Magic of Lights and Shadows, Arts 12 (4) 2023


'Block Teaching in Art and Design: Pedagogy and the Student Experience.' Art, Design & Communication in Higher Education (Vol. 20, Issue 2, 2021).


‘Vision, revelation, violence: Technology and expanded perception within photographic history.’ Philosophy of Photography (Vol. 9, Number 1, April 2018).


'Technology'. Philosophy of Photography (Vol. 4, Issue 2, December 2013).


'Prosthetic Memory'. Philosophy of Photography (Vol. 4, Issue 1, September 2013).


‘Sonia Delaunay’s Robe Simultanée: Modernity, Fashion and Transmediality.’ Fashion Theory: The Journal of Dress, Body, and Culture (Vol.17 No.1, March 2013).


'The catastrophe of my existence: Facing Death in Roger de la Fresnaye's Self-Portraiture.' Angelaki: Journal of Theoretical Humanities (Vol. 16 No.1, May 2011).


'Existence, Ethics and Death in Andrei Tarkovsky's cinema: the cultural philosophy of Solaris'. Film International: Journal of World Cinema (Vol. 8 No.2, June 2010).


'The Wound and the First World War: ‘Cartesian’ Surgeries to Embodied Being in Psychoanalysis, Electrification and Skin Grafting.’ Body and Society (Vol. 14 No.2, June 2008).